![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtAqAxBSu6tVx69oHSHqgu5P6UhJnECdOyRAmpAoGL0pKPQlnGebCFv6eD7MBwA6PKbLihoMvNqfn8LKzs5PQuOYQLqKp6w1wsvTnmOkQBf-TtIIRrqn2e9Ns8aSM50T2hHcr82mO2T-0/s200/Ingres.jpg)
The characteristics of the movement are:
-Renounce to the colourist effects and the composition of the Baroque for realising a painting based on symmetry and reason
-The perfection of the shapes of ancient sculpture were combined with the values of Rafael’s painting.
-The result is a cold work, without deepness, consciously distant, that remains the ancient relieves.
-Painting was eclectic, eliminating any superfluous detail to underline the importance of the subject.
-It was aimed at regenerate society by showing the citizens’ virtues that were explained and depicted through subjects based on classical literature.
Among the most important authors there are Jacques Louis David and Ingres.
David dep
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifK14aUw6DwLQMFjW4FCCY-sfBjUFtNZODR55RvbaYmRekEM0BxUN53pLonZyXjJs52oVc53jEQcHyKTanu3HqJaA7YEDsViPx-11CZCIAcg1l1b-lx8tIYe0uZcUUTNqZ5vPWqvaPUvc/s200/David.jpg)
All in all, Neo-Classical style was inspired in the mythology, and sometimes it even copied it, what explains the abundance of historical and mythological subjects. There is a proliferation of naked at the Greek style and the pose is grandiloquent and cold, largely though and influenced by the Academy. It is an art full of rules, where drowning is important while colour is considered as of secondary importance. Normally it escape from the movement and, when this appears, it looks to be frozen or be stable and predictable.
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